Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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James-Goodwyn Clonney
Fishen im Long Island Sound nahe

ID: 45339

James-Goodwyn Clonney Fishen im Long Island Sound nahe
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James-Goodwyn Clonney Fishen im Long Island Sound nahe


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James-Goodwyn Clonney

British/American, 1812-1867, American painter. He was one of the first generation of American genre painters. His earliest datable work includes two lithographs of urban views and images of birds and animals published in New York between 1830 and 1835. He studied at the National Academy of Design, New York, and exhibited there periodically between 1834 and 1852. The first genre painting he exhibited at the National Academy was Militia Training (1841; Philadelphia, PA Acad. F.A.), although another example, In the Woodshed (1838; Boston, MA, Mus. F.A.), predates it. He also exhibited at the Pennsylvania Academy of Fine Arts (1845 and 1847) and at the Apollo Association and American Art-Union (1841-50).   Related Paintings of James-Goodwyn Clonney :. | The Triumph of Flora | Le The a la menthe Huile sur toile (mk32) | Seascape, boats, ships and warships. 52 | Catching Rabbits Boys Trapping | Self-Portrait |
Related Artists:
Georg Saal
Germany (1818 -1870 ) - Painter
John Durand
American. active1766-1782 A signed portrait (priv. col.) dated 1765 provides the first documentary information on him. He advertised in the New York Journal on 26 November 1767 that he had opened a drawing school, and again on 7 April 1768, announcing his availability as a history painter, though no examples of this activity survive. Like other painters in the colonies, he made his living from portrait painting. His most noted work, the Rapalije Children (1768; New York, NY Hist. Soc.), demonstrates the strong decorative sense, the delicate use of colour and the attempts at sophisticated value and texture application that characterize all his paintings. His skill as a draughtsman is evident in the carefully described details. Here, as in other works, he used a dark outline to define one plane from another, and he imparted a sense of elegance, particularly in the slightly turned heads and animated arms and hands.
MIEREVELD, Michiel Jansz. van
Dutch painter (b. 1567, Delft, d. 1641, Delft).






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